Chelsea Dingman



After Othering a Child Through the Pitch

A cough forms as night in her weather.

I can’t tell if dawn is love, but I won’t beg

From the bathroom floor. I won’t beg the lawn

Not to be overgrown. I couldn’t care less

That it taps the window where I’ve sat

Listening to the sea in her

Lungs. A sound like loneliness. I’ve been

Lonely longer than I’ve been alive. The dead

Parent in my memory is a god alone

With the undying world. No one cares about the tulips

Or evergreen trees. That hiss when water meets fire.

I don’t fear fire. I fear the daughter

I am. The re-childed night I hold in my hand.

When to end when to begin means a child is the nothing

of a dream that drowns in me again. I will not save what does not want

Saving. I’ve been a woman long enough to know

There are worse things than dying. Strip the sky

Back to the pink. I’ll show you where the world

Hurts. Water listens & waits to swallow us

Whole. Beware, child. Necessity might mean we are

Too afraid of love to birth anything. Live me,

then let me go. Nothing lives unless we let it.

 

I Tried to do Everything Right, But Power

comes from within, a man says. And so. I gutter the fall

air. Lonely as my mother’s god. Where god is a place

no one can prove. As my doctor cancels appointments

while snow collects in clouds. As last year’s scans grow

heavy with galaxies. My breasts, not a threat while I am

unable to name the system of hard stars that constellates there.

I am culpable. I don’t wake when I should. Crater

to hope. The hospital system, overwhelmed. The dead hauled

into refrigerated trucks out back. Sirens, dark. So dark.

I vaccinate the sky. I stand accused of killing my own

desires. Some dreams might need to be carried to the ends

of our lives. I dream I am a woman who knows her own

power. I dream the ghost at my door is not my own.

 

Not Even Necessity Itself Removes the Power of Choosing

The river that climbed into the fire. That lit your hair
before it fell. That muscular eve. Where you thought,
I’ll fight for you. The spine, turning & turning, inside
you. A pain scale. That beast. Starved exit. You begged
only when the pain got too great. The hallways
of night. All eyes. Machines a measure of more than
confession. Three times now, you’ve been. Or fifteen,
not counting. That time & that time. You were not
allowed to be alone with yourself. The dead your body
held from behind. Beauty undid the eye. The distance
between touch & touch. Hideous, the halo that blocked
your sight. Even now, to cling to that which makes you
lose sight. A migraine, horizoning. How to feel yourself
again. Feel yourself. Feel. The skin you disassociate
a life from. Yours or yours. Uncarried. A woman
alone & unloved. Haven’t you always been. Too late,
the night recedes into the pit of the sea. You realize
you are glass. Becoming the truth of sky. If you were
sorry, could you carry life. Or death. Would you be
the woman in the river asking fire to love you.

.

Chelsea Dingman’s first book, Thaw, was chosen by Allison Joseph to win the National Poetry Series (University of Georgia Press, 2017). Her second poetry collection, Through a Small Ghost, won The Georgia Poetry Prize (University of Georgia Press, 2020). Her third collection, I, Divided, is forthcoming from Louisiana University Press in 2023. She is also the author of the chapbook, What Bodies Have I Moved (Madhouse Press, 2018). Visit her website: chelseadingman.com.
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